Sunday 28 June 2015

No.125 : The Gunman (2015)



Sean Penn stars in this action thriller directed by the same bloke who did ‘Taken’. As you’d probably guess it’s not the sort of film to bother the academy but it would certainly qualify as a guilty pleasure.

The film opens with random news reports concerning the troubles in the Congo eight years ago. All the newsreaders are, as usual, British which suggests that they are both cheap and lacking the journalistic integrity of their American colleagues.

Sean plays Jim who is providing security for the construction of a new airport in the Congo. He also has a sideline in black ops and when a mining minister cancels some contracts Sean gets the job of taking out the pesky politician. After the hit he is spirited out the country by his handler Javier Bardem, which is convenient for Javier as he has designs on Sean’s Italian lady friend.

8 years pass and, a clearly guilt wracked Sean is back in the developing world helping the locals by drilling them wells. Things kick off however when a pretty slack hit team try to kill him, only to be dispatched by Sean and his plucky sidekick. Smelling a rat Sean heads to London to tip off his fellow mercenary Cox who is now a successful businessman. Cox agrees to put out the feelers whilst Sean heads to Barcelona to meet Javier, who has now married Sean’s woman, and to get some information from underworld insider Ray Winstone.

The rest of the film is as you’d expect with a lot of running about and double crosses as Sean tries to escape the killers and to clear his somewhat grubby name.

I have to confess to liking this film. It was rubbish but enjoyable fluff that that had plenty of unintentional laughs along the way. Penn for starters is good value as the morally bankrupt cum do-gooder. He’s pumped up to an impressive degree, so much so in fact that he spends the majority of the film looking for ways to get his shirt off. He looks good for 54 but doesn't convince as an action hero especially as he can hardly aim his rifle with his muscle-bound arms. He does perform some elaborate kills however and it’s good to see him having some fun after so many earnest films.

His girlfriend, played by Jasmine Trinca has annoying habit of getting dressed just below the bottom of the screen and has a really annoying and flat character. The actress herself is terrible and more wooden than a pre-op Pinocchio. Ray Winstone is good as he plays himself (as usual) and you half expect him to mug to the camera and say ‘Rooney next goal 3-1 - have a bit of that!’ every time he’s on screen.

For your money you also get an underused Idris Elba who rattles on with a stretched metaphor about tree houses in one of his two scenes and Mark Rylance as Cox who as a baddie would make a convincing Avon lady.

The hardware and tech was all well done and the violence had that ‘Taken’ flavour of authenticity. Overall this was a fun ride and well worth your time.

THE Tag line : The Funman! - 70%


Wednesday 10 June 2015

No.124 : The Hit (1984)



This 1984 dark comedy drama directed by Stephen Frears had passed me by, but it’s well worth checking out not least for its stellar cast and sunny locations.

The film opens with Willy Parker (Terence Stamp) being bundled from a grotty flat and into a waiting car. We learn that he’s a London villain who has turned grass against his former colleagues. Once he has finished his testimony the court descends into chaos as a chorus of ‘We’ll Meet Again’ rises up. It transpires that despite saying to barrister Jim Broadbent that he has had no inducements to give evidence Willy has accepted a cushy package from the cops which allows his a comfortable life in Spain…Until now.

It’s not clear how Willy’s remote bolt hole is discovered after 10 years, but after a small fight he’s bagged and delivered to two hit men by four Spanish youths who get a briefcase of TNT for their trouble.

The hit men, played by Tim Roth and John Hurt, tell Willy that he has an appointment in Paris with the gangland boss he grassed up. Willy appears to be at peace with his fate, but he knows that a lot can change over a 700 mile drive.

Hurt’s hit man, Braddock, is cool and lethal and says little whilst Roth’s, Myron, is more excitable and chatty. He’s been brought along on his first job and Willy starts to sow seeds of dissent that start to fester between the two killers. Various mishaps cause them to alter their plans, including a detour to Madrid that sees them pick up sexy Spaniard, Maggie.

Their adventures across country keep feeding the police enough information to keep them hot on their trail and as the net closes it’s clear that not everyone will survive the journey.

This was an enjoyable film that kept me guessing and entertained throughout. Stamp is great, playing his cheeky Cockney persona to perfection. Despite his chequered past you do root for him throughout and his mind games with the bad guys worked well. Hurt is less believable as the stone killer hit man. I think he’s too slightly built to convey much menace and looks like you could blow him over most of the time. A bleached blonde Roth is OK as the trainee assassin but I wasn't convinced about his character’s arc.

The settings and direction were good and the filmed moved at a faster pace than the lethargic hit men. The ending was somewhat nihilistic but given what had gone before it was certainly earned.

THE Tag Line - Hits the Mark!

72%